Sara Gouzy


After studying piano at the Conservatoire de Toulouse, Sara Gouzy joined the Hochschule für Musik "Hanns Eisler" in Berlin in 2010 to study singing with Janet Williams and Michail Lanskoi. She also spent a semester studying at the Guildhall School of Music and Drama in London with Susan McCulloch.


She has won numerous awards at international singing competitions (finalist of the Cesti Competition in 2020, Kammeroper Schloss Rheinsberg 2019, Trois Siècles de Romances Classiques 2014 in St. Petersburg, Giulio Perotti Singing Competition in 2012) 

Highlights of her 2022/2023 season include the role of Alcina (La Liberazione di Ruggiero dall'isola d'Alcina by Caccini) at the Theater an der Wien and Tisbé in a "Young Audience" version of Rossini's La Cenerentola, at the Théâtre des Champs-Elysées and then at the operas of Bordeaux and Rouen.


She has appeared at the Komische Oper and Deutsche Oper Berlin as well as at the Kammeroper Munich in Haydn’s Il mondo della Luna and in Rheinsberg Festival as Orazia in Cimarosa’s Gli Orazi e i Curiazi. In Dijon she appeared as Yniold in Debussy’s Pelleas and Melisande and Amore in Gluck’s Orfeo ed Euridice. In Avignon in Poulenc’s Dialogue des Carmelites and Mozart’s Le Nozze di Figaro.


She has sung the title role in Handel’s Susanna with the Lautten Compagney at Naumburg Theater, Sicle in Cavalli’s L’Ormindo during the International Maifestspiele of the Staatstheater Wiesbaden, Gianetta in Donizetti’s L’elisir d’amore at the Théâtre des Champs-Élysées, and recently took part in Janáček’s Jenufa in Toulouse.


She has given recitals in Austria, Germany, Switzerland, France, Russia and the United Arab Emirates, and has also performed alongside the Monte-Carlo Philharmonic Orchestra (Saint-Saëns' Oratorio de Noël), the c/o chamber orchestra (Francis Poulenc's La Voix Humaine) toured Europe with Jordi Savall (Beethoven's 9th symphony and Mozart's Requiem) and worked with prestigious conductors such as Lahav Shani, Peter Eötvös, Sebastian Weigle and Christophe Rousset.


I, D, A, CH (French part excluded) 

Composer Opera Role
F. Caccini La Liberazione di Ruggiero Alcina Theater an der Wien
C. Gounod Romeo et Juliette Stefano  
G. F. Händel Giulio Cesare Sesto  
F. J. Haydn Lo speziale Volpino  
J. B. Lully Acis et Galatée Galatée  
C. Monteverdi L’Incoronazione di Poppea Poppea  
W. A. Mozart Idomeneo Idamante  
  La Clemence du Tito Annio  
  Cosi fan tutte Dorabella  
  Le Nozze di Figaro Cherubino  
  Don Giovanni Zerlina  
J. Offenbach La belle Hélène Oreste  
  Serse Arsamene  
F. Poulenc La voix humaine Elle  
J. P. Rameau Castor et Pollux Phébé  
  Susanna Susanna  
M. Ravel L’heure espagnole Conception  
  L’enfant et les sortileges L‘Enfant  
G. Rossini La Cenerentola Tisbe Théâtre des Champs-Elysées, Bordeaux, Rouen
A. Weber Oberon Fatima  
J. S. Bach Weihnachtsoratorium    
L. van Beethoven Symphony no.9    
H. Eisler Palmström    
G. Mahler Symphony no.4    
W. A. Mozart Missa in c KV 427    
C. Saint-Saens Oratorio de Noël    
A. Schönberg Pierrot Lunaire op.21    
R. Schumann Spanisches Liederspiel op.74    
H. Villa Lobos Bachianas Brasileiras Nr.5    
J. Dismas Zelenka Magnificat    
J. Brahms Fünf Ophelia Lieder    
J. Canteloube Chants d´Auvergne    
L. Dallapiccola Quattro Liriche di Antonio Machado    
C. Debussy Ariettes oubliées    
A. Liebermann L´espoir du cerisier Rondeaux    
A. Previn Vocalises    
M. Ravel Shéhérazade    
R. Schumann Frauenliebe und Leben op.42    
R. Wagner Trois Mélodies    
H. Wolf Mignon Lieder